By James Good
For the last three plus years at COMC I’ve seen every single tweet, Instagram picture, and Facebook post that we’ve been tagged in. My absolute favorite posts that we get repeatedly see are our customer’s Mailday pictures, where they show their followers all of the items that they recently received in their latest COMC shipment. We routinely reshare these on our instagram page and twitter accounts, so be sure to keep tagging us in your #Maildays!
Seeing all of our customer’s incoming items for their personal collection inspired me to share some of the contents of an incoming COMC package of my own. While there are plenty of not so exciting items in that package that simply fill the gaps of my Mitch Haniger player collection, there are bunch of other items that have been inspired by my latest inspiration for collecting: buying cards based on unique card design.
I think that card design is a very low priority for a lot of collectors, as we’ve grown accustom to cards designed around sticker autos and recycled designs, among other visually unappealing decisions. Most prospectors don’t even consider card design when stashing away players in hopes of a later payday. The truth is that the card design for the majority of modern cards is very underwhelming. I’m not going to publicly shame any manufacturers, because with so many sets being printed these days, poor design choices were bound to happen. Just like without the bad moments in life we wouldn’t appreciate the good ones, without bad card design, we couldn’t appreciate good card design.
The 2008 Topps Factory Set Mickey Mantle Chrome Refractor Reprints set is the perfect example of the modernization of a reprint done right. There isn’t an overload of numbered parallels, and the design is simply a clean replica of the original on a modern chrome cardstock. The 1952 Mantle RC has been reprinted time-and-time again over the years, most having some sort of poor design choice shoehorned in. Topps got it right in 2008, and in the 2006 Topps ’52 set where they swapped the background color of this iconic card in a creative re-imagining. I’ll probably never own the real thing, so these reprints fill the void in my collection.
One rookie card that I am fortunate enough to own is a PSA 9 2007 Bowman Chrome – Prospects Tim Lincecum Gold Autograph #’d 31/50. As I talked about in one of the earlier installments of The Good Word , I love manufactured patch cards. These three are among my latest pick ups that fit the qualifications of well designed cards. Lincecum’s unconventional pitching delivery might have shortened his career, but it did produce a wealth of great trading cards along the way. I’m a sucker for the stars and stripes, so the 2010 Topps – Jumbo Packs Manufactured Hat Logo Relic on the right ranks highly on my well-designed sets list.
Which leads me to this 1912 Player’s Countries Arms & Flags Tobacco Card #4. I am not much of a vintage collector, much to the chagrin of my colleague Rich Klein, who two years ago at a National Sports Collector’s Convention took my 1960’s football card knowledge to task. I think that anytime you can buy something that’s over 100 years old for $0.50, you probably should, and this card was no exception. Even being 107 years old with a bit of paper loss, it still checks all the boxes for a well designed card.
As a kid growing up in the 90’s, nothing stuck with me more than the roller coast ride that was the 1995 ‘Refuse to Lose‘ Seattle Mariners. During that period of time, I opened so many packs of 1995 Score in search of the Gold Rush parallel of my favorite Mariners and 1996 Upper Deck Collector’s Choice looking for Gold Facsimile Signatures and You Crash the Game cards. I was never able to pull these two, but thanks to COMC, my hundreds of dollars of summer jobs and allowance money was not wasted in vein.
By comparison, the 1995 Score Gold Rush Parallel is inferior to the Platinum Team Set version. I really love the design on the Hitters Inc. subset, and not just because Albert Belle’s mean mug is a hidden gem. There were many iterations of Collector’s Choice ‘You Crash the Game’ contest across multiple sports, but the 1996 baseball version did it best with a bright orange and red foiled explosion design. Not only was it a great design, but it was a great concept that has stood the test of time. I know a certain 2019 Topps insert set with an awfully similar promotion.
If I were to rank Topps flagship designs, 1968 Topps would likely fall in the middle of the list. It’s not a bad design per say, it’s just not my style. I do love the rounded corners of the black border and white space between the player photo and border, but the textured brown outer border doesn’t work for me. That being said, this card jumps off the page to me because it features one of the best photos of any Mariner ever featured on a trading card.
Vogey looks larger-than-life in this pose, and the Safeco Field logo in the background is a nice finishing touch. It almost makes you forget that he has a career MLB batting average of .197, or that Safeco Field is now T-Mobile Park.This card screams “In Vogey We Trust” , that he’s our guy of the future, and that I’m willing to put in writing that he’ll hit 30 bombs whenever he’s given his first full year in the Bigs.
Last but not least, there hasn’t been a better non-sports set idea since the Map Relic Insert Sets from Upper Deck’s last two Goodwin Champions sets. These sets have checked all of the boxes I’m looking for when determining good card design:
- Make it unique
- Keep it simple
- Feature Great Photography
These cards do an perfect job encapsulating the points of interest they feature. The embedded map relic is a unique element that I don’t recall ever seeing on a card prior to these sets. My goal is to eventually collect all of the map relics of places that I’ve visited. Right now that list is at eight:
Niagara Falls, Statue of Liberty, Washington Monument, Capital Hill, Golden Gate Bridge, Freedom Tower, Mount Rainier, and Ruby Beach .
Ruby Beach holds a special place in my heart because it was one of the destinations along the first road trip that my fiancé and I went on almost four years ago. Traveling to the coast of Washington to be close to the water has been a recurring trend in our relationship. Later this year, we’ll get married near the beaches of Moclips, Washington, about 65 miles south of where the photo of this card was snapped.
Now it’s your turn! In the comments below, let us know some of your favorite cards from your most recent mailday!
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